Fly Fishing Extravaganza

One of my regrets of the past year is how little time I got to enjoy on the water. Fly fishing is how I meditate. My mind grows quiet when I approach a trout stream, and I find myself living fully in the moment in a way that's otherwise extremely difficult for me. That sensation—or being present in the present—makes me understand the Buddhist concept of the Middle Way.

I might not have done enough fishing this year, but on Sunday, November 6, I plan on enjoying the fellowship of fly anglers at the first Maine Fly Fishing Show. I'll be signing copies of my books at 10 a.m. and 12 p.m. Other events include casting contests, a silent auction, instructional workshops, a fly tyer's theater, and booths hosted by some of Maine's premier outfitters and guides. Admission is only $5 for adults ($3 for kids), and all proceeds benefit the Maine Council of Trout Unlimited's fantastic Trout Camp—which has done so much to teach nature-starved childrens about the wonders of the outdoors.

The show takes place at the Maine Military Museum in South Portland. If you plan on being in Greater Portland that day, I hope you'll stop by. 

Editor by Day, Author by Night

Over at Maine Crime Writers today I have a post about my dual identities as editor in chief at a magazine and book publishing company and as a novelist:

Being an editor by day and a novelist by night isn’t like being Batman. My two identities are so similar they doesn’t register with most people. But the distinction has meant a lot to me. In particular, having a career as an editor—of both magazines and books—prepared me in crucial ways for my life as an author. Most professional writers look at editors as exotic creatures of the sort you might find in a nineteenth-century bestiary. Identifying characteristics: intelligent but inexplicably dense at times; highly opinionated and yet maddeningly unable to articulate the specifics of their criticisms; gossipy when it comes to any subject relating to their industry but also prone to long, disquieting silences; underpaid saints capable of recognizing genius who never do enough to advance the causes of their writers against those no-good sales and marketing hirelings. As an editor by trade, I live a truly compromised life as a novelist. How can I piss and moan like a regular book author when I have sat on the other side of that crumb-dusted, Diet-Coke-stained, manuscript-littered desk?

Somehow I even manage to work John Travolta in this. Click on over and you'll see how.

Worst Halloween Costume Ever

In time for Halloween I am reposting this post from 2009 which, for reasons known only to Google, ranks consistently as one of my most popular ever. 

October 31 marks the start of Maine's deer-hunting season for all hunters (Mainers get a jump on October 29). I'd say that coincidence makes this get-up the dumbest Halloween costume ever.

Maine Speech

In my books I go to great lengths to suggest that some of my characters have Maine accents without resorting to phonetic abominations ("Hey, deah, come ovah heah.") At MaineCrimeWriters today I have a post about my use of Maine lingo and a guide to some of the more colorful expressions you might encounter Down East. Check it out, why don't you.

Email of the Day

You get all kinds. Here's one that just arrived:

Subject: Your writing

Message: Are you unable to write books like "Trespasser" without peppering them with blasphemies? Is this a character defect?

I suppose it could be a character defect—or it might just be a commitment to rendering dialogue the way human beings actually speak. 

One of the things I've learned in the magazine business is that you never know what will get people riled up.

You do have to wonder what kind of person reads a novel about rape and murder but objects to the profanities.