Why the Blizzard of 2013 Is Different

 

Everyone has heard the old saying that the Eskimos, or Inuit, have umpteen different words for snow. The idea is that they live closer to their environment than we do, and thus have not lost the ability to differentiate between the multitudinous forms freezing precipitation can take. Where we see snow, the Inuit see subtleties. 

This charming legend, like most charming legends, is false. In fact, that Inuit have just about as many words for snow as do English speakers; they just tend to combine their terms in certain ways to add specificity to their meteorological conditions.

As Warden Mike Bowditch notes in Bad Little Falls, a few degrees in temperature can make a huge difference in what sorts of snowflakes form:

Warmer weather means wetter snow. Wet snow is heavy; its weight shatters tree branches. It clings to power lines and brings them crashing down. On the road it turns to slush and sends tractionless cars skipping into ditches. Wet snow melts quickly in your hair and runs down the back of your neck. It follows you into your house by riding in the treads of your boots and leaves puddles to mark its passage. I know this because, like the Inuit, I live mostly outdoors in the winter. 

Because of the low-pressure front pushing down from Canada, the snow that was falling outside my trailer was not wet but, in fact, very dry. The wind whipped it around like white sand in a white desert, forming metamorphic dunes and ridges that changed shape while I watched. Dry snow carries its own dangers. It clings to nothing, not even itself, and is so light it can be stirred by the faintest breeze. Weightless, it resists plowing and shoveling. It covers your tracks in the woods, making it easier for you to get lost, and because it is the harbinger of sub-zero temperatures, it makes losing your way a potentially life-threatening mistake. Dry snow can turn a black night blindingly white.

What northern New England is experiencing is very dry snow combined with high winds, which is why tonight is going to be a very white night.

"Suspenseful and Gripping"

John Cleal has a glowing review of The Poacher's Son up today at Reviewing the Evidence:

But it is the wilderness itself and its animal inhabitants that are the real stars of this book. Doiron is a registered Maine guide and his love of one of the few remaining unspoiled stretches of north east America is almost palpable and his wonderfully evocative descriptions drag you into the tangle of bogs, giant trees and dense undergrowth that frame Mike's working life. You feel his character's anger at the heartless developers, constantly buying up land for exclusive developments for the rich and threatening to end a way of life that has existed for generations.

Doiron combines a love story with his pain at the state's shrinking wilderness with a study of a son struggling to love and be loved by his father, and in the process provides a gripping murder mystery. THE POACHER'S SON has already won awards in America and should collect plenty more.

Fingers crossed. 

"Precision, clarity and a keen sense of plot"

The Poacher's Son has just been published in the UK by Constable & Robinson, and reviews are beginning to appear in the journals and Web sites there. It's thrilling to experience the release of my debut all over again, especially in the land that created the detective novel. Here's what We Love This Book has to say:

Paul Doiron writes with precision, clarity and a keen sense of plot. The story of a son trying to prove his father’s innocence is well handled in terms of both suspense and surprise; this is not a story in which the ending can be confidently foretold. 

I'll be posting other reviews as they appear.

"The Last Page Sells Your Next Book"

That's part of a quote from Mickey Spillane. Here's the full thing: “Nobody reads a mystery to get to the middle. They read it to get to the end. If it’s a letdown, they won’t buy anymore. The first page sells that book. The last page sells your next book.”

At Maine Crime Writers today I talk about last pages and last lines. Nailing the ending is one of the hardest parts of writing a novel. As I write in the blog, The Poacher's Son didn't originally end where it now does. And it took me a number of drafts to find the right note on which to conclude Trespasser. I knew the last line of Bad Little Falls early on. 

I guess the test will be if it helps sell my next book, right?