First Hemingway, Now Carver

I posted last week about the ruckus over the republication of an redacted version of Hemingway's posthumous Paris memoir, A Moveable Feast. Now comes word of the republication of many of the late Raymond Carver's short stories in significantly different forms. The situations are quite different. From what I've read, Carver always disapproved of many of the cuts forced upon him by his bullying magazine—and later book—editor Gordon Lish. So you can't really blame his wife and executrix Tess Gallagher for wanting to bring out a new volume of Carver's work in their "original" versions. That said, count me in the category of Carver fans who prefer the Lish-pruned What We Talk About When We Talk About Love to Carver's last original collection, the "expansive" and "generous" Cathedral.

And, I'm sorry, Beginners is not a very interesting name for a book of stories, while What We Talk About When We Talk About Love (or WWTAWWTAL, if you're texting) is fookin' brilliant. 

Whither the Warden Service?

Over at my day job, conservation journalist Roberta Scruggs makes an impassioned case for a top-to-bottom reform of the Maine Warden Service. A former writer for the Portland Newspapers and independent reporter, Roberta has been writing about the Warden Service for something like two decades, and she's earned more than a few enemies among wardens who didn't appreciate the way she kept pressing awkward questions. She also won many friends among wardens who respected her doggedness. In the process, Roberta uncovered real scandals and performed a true service for the State of Maine, since the whole purpose of having an independent press is to hold public servants accountable to the people who pay their salaries. (In the interest of full disclosure: after I finished writing The Poacher's Son, I submitted a copy to her for feedback, and she helped me correct several errors.) I haven't yet read the George Smith essay she alludes to in the September issue of the Maine Sportsman, but I'll be watching my mailbox as will, I'm sure, more than a few game wardens.

Nine Miles Offshore

View from Manana. Photo by Kristen LindquistMy wife Kristen and I spent five nights on Monhegan Island, which is anywhere from nine to twelve miles off the Maine coast depending on which way the crow happens to be flying. On Tuesday we hired a local kid to row us in his skiff across Monhegan Harbor to an enormous uninhabited hunk of rock named Manana (rhymes with banana). Manana is famous for two things: its runes and its hermit. The "runes" are a series of crosshatched lines that have been alternately ascribed to the Phoenicians and the Norse. But the markings looked to my eyes like some very interesting geological anomalies. They certainly didn't look like the Futhark I learned when I was a thirteen-year-old Tolkien nerd.

Manana goats. Photo by Kristen LindquistThe hermit was a New Yorker named Ray Phillips who dropped out of society to raise goats on this wind-scraped island from 1930 to 1975 (an award-winning documentary was made about him, but I haven't seen it). The hermit's been gone for a while, but he's sort of a persistent presence on Monhegan (almost like a ghost), in that his name gets evoked frequently by islanders trying to explain to tourists what the deal is with that big chunk of stone right across from the Island Inn. After decades of visiting Monhegan, I was glad to finally have the opportunity to explore Manana myself. It's a weird little ecosystem — almost a piece of Scotland shoved across the Atlantic — and a worthwhile day trip. What surprised me, however, were the feral goats we found grazing on the far side. I've traveled all over Maine, and you don't stumble over feral goats all that often (in fact: never). Our teenage guide didn't know if the four we saw were the descendants of Ray Phillips' former herd, but clearly they were thriving.

So not all the tall-tales I'd heard about Manana were false after all. That's usually what you find when you go searching for local mysteries. But I still think the runes are bunk.

Creeping Towards Publication

There's a slow-motion aspect to publishing a novel. The writing itself is slow (for most of us), and then comes the long waiting for others to read your book and give you feedback. The editing and proofreading proceeds in fits and starts. Even after your publisher sets a print date (in my case April 27, 2010), the whole thing still feels like a dream. You've received your advance and seen your (stunning) book jacket, but you can't quite believe the book will ever truly appear.

And then there's a day like today when I woke up and found that, out of the blue, The Poacher's Son had become available for preorder on Amazon.com. And not just the book—suddenly, there was an audiobook, too. And the actor who is reading my book, John Bedford Lloyd, is someone I actually knew from television and movies. I'm not normally in a rush for time to pass (we have so little of it), but April can't come soon enough.

The Inciter

Ted Williams, who writes the Incite column for Audubon Magazine and is also a columnist for Fly Rod & Reel, may be the most hated environmental journalist in the country. In my opinion, he's also the best, and I have had the privilege of working with him on a handful of stories for Down East over the years. Ted is a sponge for breaking news about the outdoors. Nothing escapes him. If you want proof, I recommend his omnivorous blog at Fly Rod & Reel's Web site.